Richard Serra 27 mars 1999 - 17 octobre 1999 Richard Serra est l’un des plus importants sculpteurs du XXe siècle. Vision très particulière clairement de cette œuvre. We love art history and, Bold Is Beautiful – a Guide to Spotting a Ravinder Reddy Sculpture, Not All There – The Enigmatic Sculptures Of Bruno Catalano. If you find any joy and inspiration in our stories, with modest donation. Souvent impressionnantes, les courbes architecturales de Serra provoquent vertige et désorientation lorsque les spectateurs en traversent les passages sinueux. sculptures en acier composées d’un assemblage de plateaux, rouleaux, rectangles ou tuyaux soutenus par des tiges en pl These are the most analyzed, re-evaluated, and debated works of his. Impressionist İbrahim Çallı’s paintings portrayed the society in which he lived in a very raw sense. He often constructs site-specific installations, made out of fiberglass, rubber, and most frequently steel on a scale that dwarfs the observer. : Storia della musica italiana (Rome, 1959–63) [booklets to recordings] CAROLYN GIANTURCO. Le côté instable des montages est parfois majorée par la matière utilisée dans certaines œuvres, le plomb, destiné, tôt ou tard, à s'affaisser (One Ton Drop (house of cards), 1969, faite de quatre plaques de plomb en équilibre). While the physicality of space has always been one of his recurrent themes, in these works space turns into a material. His sculptures recast Minimalism on a monumental scale. Si le grand sculpteur Richard Serra est principalement connu, dans son oeuvre gravé, pour d’amples formats occupés par des masses noires imposantes, il a régulièrement pratiqué aussi des formats modestes où le noir se manifeste en formes parfois courbes voire tourbillonnantes. Richard Serra: Triptychs and Diptychs, Forged Rounds, Reverse Curve is available for online reading from June 14 through July 13 as part of the From the Library series. By clicking below, you agree that we may process your information in accordance with these terms. Richard Serra La matière du temps Entrez dans La matière du temps ( The Matter of Time , 1994–2005) de Richard Serra et découvrez l’œuvre d’un point de vue unique qui vous permettra d’observer l’évolution des formes sculpturales du travail de l’artiste. In 2005, the museum mounted an exhibition of more of Serra’s works, incorporating Snake into a collection entitled The Matter of Time. A welder since childhood, Serra mostly works in steel, creating monumental, site-specific works that don’t simply occupy space, but radically seek to discover its essence. Richard Serra Après des études de littérature anglaise, il étudie les Beaux-Arts à l’université Yale entre 1961 et 1964. Considered in retrospect, One Ton Prop suggests the outcome of Serra’s mature works, where various properties of gravity, weight, counter-force, sinuous movement, and other physical and visual properties are embodied by steel, a material commonly assumed the stuff of architectural skeletons rather than objects, in their own right, of visual attention. They are actions materialized in sculptures. Pour financer ses études d'arts plastiques, il travaille dans une aciérie, ce qui aura une grande importance dans ses travaux futurs, tout comme le fait que son père ait travaillé sur des chantiers navals. For Serra, as he himself claims, this is the only place in the world where he could have installed them. All the pieces that compose the installation of The Matter of Time are made from weathered steel, a type of steel usually used in the construction industry for bridges and buildings. Serra attended the University of California in Berkeley, graduating with a Bachelor in English Literature while working in steel mills to support himself financially during his studies. Rather than prompting us to simply observe, Richard Serra makes us constantly renegotiate our relationship to an artwork that requires not only the artist, but also engineers, forgers, construction workers, preparators, curators, and viewers to participate. Serra has stated that the essential material in his works is space and so he says: “I consider that space is material. Commissioned to create a large sculpture for a small space, Richard Serra designed upwards (16.8 m high) Fulcrum. Our mission is to present art history stories in the most compelling and fun way. This happened as a result of an exposure to various European artists. He then studied painting at Yale University, from 1961 to 1964, completing his BFA and MFA there. As aforementioned, these materials are traditionally related to the fields of architecture and engineering. Richard Serra (born November 2, 1938) is an American artist involved in the Process Art Movement. The Promenade is a multiple piece installation that creates a landscape of steel. Yes.Heard of Wiener Werkstätte? In these works, however, I started with the void, that is, I started with space, starting from the inside towards the outside, not from outside towards the inside, to be able to find the skin.”. From 1970 to the current day, Richard Serra has worked mainly with steel, a material usually associated with architecture and engineering, both disciplines to which the artist often turns to understand the origin of sculpture. De l’œuvre de Richard Serra se dégage toute une sensation palpable de changement autour de soi. Altogether the eight sculptures generate an experience that also includes the large exhibition space in which they are shown. Serra continues to produce large-scale steel structures for sites throughout the world. p. 228) . Here you can see him talking about his art: “I believe that art is the only form of activity in which man assures himself to be a true individual and its capable of going beyond the animal state. Il est rattaché au minimalisme et est connu pour ses sculptures en métal. Les premières œuvres réalisées par Serra - des projections de plomb fondu sur les murs - sont directement influencées par l'expressionnisme abstrait. We love art history and writing about it. Installed in the largest gallery of the museum designed by Frank O. Gehry, the Fish Gallery, they would join Serra’s Snake, created for the opening of the museum, in a site-specific indoor installation of a scale and dimension without precedent in modern history. Les tôles sont laminées et la surface de la tôle doit rester libre de tout marquage, poinçonnage, ou traces de graisse, afin de conserver l'aspect le plus brut possible. Like the Greek Titan Atlas, Richard Serra is carrying the weight of the world. Richard Serra dispose des sculptures monumentales dans un espace dédié à ce type de sculpture. His experience with this industrial material would have a profound influence on him after he transferred to the University of California in Santa Barbara and began to take art classes. It was made for the inauguration of, and is permanently located in, the largest gallery of the Guggenheim Museum Bilbao, the Fish Gallery. Il peut ainsi contrôler la couleur de ses sculptures avant d'interrompre la corrosion. But it’s Richard Serra’s sculptural oeuvre that has redefined humanity’s relationship with its surroundings. As he began to experiment with different materials, Serra gravitated toward sculpture. Le plomb et l'acier sont les matériaux qu'il a le plus utilisé au cours de sa carrière. Richard Serra is one of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. They are made of huge steel plates bent into circular sculptures with open tops, they rotate upward as they lean in or out. When entering the enormous room, the viewer is actually entering the sculpture. No?! During the early 1960s, he came into contact with Philip Guston, Robert Rauschenberg, Ad Reinhardt, Joseph Beuys, and Frank Stella. Richard Serra Richard Serra (né à San Francisco en 1939) est un artiste d'art contemporain américain. Richard Serra, né le 2 novembre 1939 à San Francisco, est un artiste d'art contemporain américain. Il peut ainsi contrôler la couleur de ses sculptur… Son œuvre est exposée dans les principaux musées et collections du monde entier. Mais très vite, il se tourne vers le minimalisme et des œuvres plus ambitieuses. I try to use sculptural shapes to differentiate space.”. After ten years (the process takes longer indoors than outdoors), when the rusting process is complete, all the pieces have a homogeneous, soft, and continuous surface. Housed in a slipcase, this two-volume set documents Serra’s three concurrent 2019 New York exhibitions, which presented five new sculptures and more than twenty drawings by the artist. géographiques : nadir, pôle nord, méridien, ouest, zone torride, latitude, nord, équateur, pôle sud, équinoxe, est, zenith, longitude). Il a également réalisé des films. En 1969, Richard Serra réalise sa fameuse sculpture One Ton Prop (House of Cards), œuvre qui marque un tournant dans sa carrière. The most famous of his works is definitely the Torqued Ellipse series. This work known as To Lift, made in 1967 from discarded rubber recovered from a warehouse in lower Manhattan, is a result of the rubber’s unique response to the artist’s enacting of the action verb “to lift.” As Serra later explained: “It struck me that instead of thinking what a sculpture is going to be and how you’re going to do it compositionally, what if you just enacted those verbs in relation to a material, and didn’t worry about the results?”. Serra famously issued an often-quoted statement regarding the nature of site-specific art when he said: “To remove the work is to destroy it.” Eventually, on March 15, 1989, the sculpture was dismantled by federal workers and consigned to a New York warehouse. Richard Serra participe aux réflexions en cours, il s’essaie à plusieurs matériaux atypiques tels le caoutchouc, la fibre de verre ou le tube de néon. Le texte intégral de l'article est ici →, Richard Serra portrayed by Oliver Mark, Siegen 2005, National Academy Museum and School (National Academy of Design), New York City, NY, US, Yale School of Art (Yale University), New Haven, CT, US, https://fr.wikipedia.org/wiki/Richard_Serra. Il utilise alors une nuance d'acier résistant aux intempéries, le DIWETEN 235, qui - par un ajout de cuivre dans sa composition - vient former à la surface de la tôle une sorte de patine. Il n'y a après formage/fabrication de la pièce aucune intervention sur la surface : c'est avec le temps et le contact avec l'air que le matériau va patiner. Richard Serra, né le 2 novembre 1939 à San Francisco, est un artiste d'art contemporain américain. Richard Serra is one of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Il retourne à New York fin 1966, où il vit et travaille depuis lors. Just enter your e-mail, and we'll let you know when there are interesting art history stories to read. Richard Serra, Cycle, 2011, Gagosian Gallery, New York, NY, USA. Serra’s sculpture is the second installment in the series which asks leading artists to engage with the massive space in downtown Paris. Another famous work of Serra’s is the monumental sculpture Snake, a trio of sinuous steel sheets creating a curving path. The artist developed a Verblist or a list of infinitives, such as “to spread”, “to roll”, “to lean”, “to cut” and “to fold”, which described many of the working processes that he would later use throughout his career, either with his own hands or through methods of industrial fabrication. What can compare with the beauty of nature? Site. Ceci fait partie de l'article Wikipédia utilisé sous licence CC-BY-SA. A public hearing in 1985 voted that the work should be moved, but Serra argued the sculpture was site-specific and could not be placed anywhere else.

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