2.

Rates : 8€ (reduced : 6€).

6.
Photo : Didier Rykner. This begins with two paintings by Louis-Jean-François Lagrenée which prove very early on – halfway through the 18th century – the progressive change towards Neoclassicism, particularly Horace after Slapping his Sister (ill. 2) from the Musée des Beaux-Arts in Rouen. Visitor information : Musée Cantini, 19 rue Grignan, 13006 Marseille. Subscribe Home The list is made up of a series of numbers, without any historical background or bibliography. Caterina Cornaro Relieved as Cyprus’ Queen, 1842 We can only hope that the next two stops, at Rovereto and Ottawa, will give them the chance to make up for this disappointment. But, this is only a partial disappointment as, catalogue aside, the exhibition is above all a fine aesthetic achievement. Photo : Tate Britain. Previous article in Exhibitions : The sacred made real.

To begin with, we have rarely seen such a disparity between a catalogue and an exhibition. It was stolen at the end of the year; the investigation went cold until 2018, when customs officers recovered it from the luggage compartment of a bus outside Paris. Marguerite and Faust in the Garden, 1846 ISBN : 978-2-0812-3691-2. The musée Cantini building was built in 1694 for the Compagnie du Cap Nègre. And yet, we are never told why such and such a work was chosen, there is never any explanation for sometimes arcane subjects (do visitors know the story of Saint John Chrysostom and the Empress Eudoxia told by Jean-Paul-Laurens ?

6 € (plein tarif) But this obvious association should be clearly stated. Photo : Bergamo, Accademia Carrara. Oil on canvas - 101.5 x 128 cm This very regrettable lack of explanations would not be a serious drawback if the catalogue helped in answering the many questions which arise during the visit. Veuillez nous excuser pour ce désagrément, Tél.
Yet another masterpiece which alone deserves a visit to this show is Ellen Terry as Lady Macbeth by John Singer Sargent (ill. 7). King Lear Weeping Over the Body of Cordelia , 1744

RMN-Grand Palais / Claude Almodovar / Michel Vialle, © Ville de Marseille, Dist. 3 € (tarif réduit), 10 € Pass Manifesta Journée In 2009 the museum was exhibiting Edgar Degas's pastel on monotype Les Choristes, on loan from the Musée d'Orsay in Paris.

There is notably a large painting by Füseli from Toronto, Lear Drives Cordelia away, along with a very beautiful Georges Romney held at the Galleria Nazionale d’Arte Moderna in Rome and also the spectacular King Lear weeping over the body of Cordelia by James Barry (ill. 6). Nicolas-André Monsiau (1754-1837) In fact, there is no appendix, list of exhibitions, index, list of places of conservation, biography, even a brief one, of the artists [2]…The essays refer only rarely (and in a very imperfect way) to the paintings displayed, and a section of the catalogue, with the charming title of L’exténuation du romantisme, does not even contain any texts dealing, if only partially, with this theme. A wide variety of artists is represented, including Charles Camoin, Raoul Dufy, Albert Gleizes, Henri Laurens, Wassily Kandinsky, František Kupka, Jean Hélion, Alberto Magnelli, Amédée Ozenfant, Max Ernst, André Masson, Simon Simon-Auguste, Victor Brauner, Joan Miró, Jean Arp.

More serious still : there is really no bibliography, not even in an appendix. 20 € Pass Manifesta Saison, Jusqu’au 29 novembre le musée Cantini est entièrement occupé par l’exposition d’art contemporain « Traits d’union » - Le Refuge conçue par MANIFESTA 13.

[3], Coordinates: 43°17′32″N 5°22′41″E / 43.29222°N 5.37806°E / 43.29222; 5.37806, "Degas Painting, Stolen in 2009, Is Found on Bus Near Paris", https://en.wikipedia.org/w/index.php?title=Musée_Cantini&oldid=982839875, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 10 October 2020, at 17:49. While David is represented by well-known canvases (his copy of Girodet’s The Oath of the Horaces, recently seen at the Louvre, and his reception piece for the Ecole des Beaux-Arts), the two works from Bordeaux by Pierre-Narcisse Guérin and the very beautiful Marcus Curtius Dentatus Refusing the Gifts from the Samnites by Pierre Peyron, held at the Musée des Beaux-Arts in Marseille, are admirable.

It would be an understatement to say it falls short.

Private collection, courtesy of Pyms Gallery, London Spanish Painting and Sculpture 1600-1700, From Botticelli to Titian. [3] Iphigenia in Aulis by Gluck was performed in Paris almost every year between 1774 and 1799, and between 1811 and 1816 (source Chronopéra ; the painting dates from 1817). Attention: pour chaque atelier, présence obligatoire d’un adulte accompagnateur. Links Chassériau, Delacroix and Gustave Moreau are also well represented, with the latter providing a transition between Romanticism and Symbolism, evoked by Redon and a small painting by Gustav Klimt. This is probably one of the most difficult shows to review among the many hundreds already covered on this website. Rovereto, Museo di Arte Moderna e Contemporanea, from 6 February to 23 May 2010 The musée Cantini building was built in 1694 for the Compagnie du Cap Nègre. Grand amateur d'art, Jules Cantini en fit don à la ville en 1916, afin qu'il devienne un musée consacré à l'art de notre temps. [4] An example – and there are many – of a canvas in the exhibition which is never quoted in the catalogue, unless we are mistaken, except for the reproduction.

Bookshop, Marseille, Musée Cantini, from 6 October 2009 to 3 January 2010

No doubt the organizers ran out of time. Marseille, Musée des Beaux-Arts

Readers beware, we will in fact have many good but also many bad things to say about it. Archives Oil on canvas - 216.5 x 135 cm Melbourne, National Gallery of Victoria The scenes move from the stage to the wings, from fiction to reality ,to use one of the essay titles.

Readers beware, we will in fact have many good but also many bad things to say about it. The large room which then follows pursues the study of Neoclassicism and Academism.

Ary Scheffer (1795-1848) Under the supervision of Guy Cogeval and Béatrice Avanzi, De la scène au tableau, Editions Skira/Flammarion, 2009, 384 p., 44€.

La collection permanente d’art moderne sera de nouveau visible à partir du 05 février 2021, Le Musée Cantini propose quelques belles séquences autour du fauvisme (André Derain, Charles Camoin, Emile Othon Friesz, Alfred Lombard), des premières expérimentations cubistes (Raoul Dufy, Albert Gleizes) et des différents courants post-cubistes ou puristes des années 1920-1940 (Amédée Ozenfant, Fernand Léger, Le Corbusier, Laure Garcin, Jacques Villon).­, Musées de Marseille - Photo R.Chipault-B.Soligny, Centre Pompidou, MNAM-CCI/Bertrand Prévost/Dist.



RMN-GP, © Ville de Marseille, Dist. The goal of the exhibition organized at the Musée Cantini is to understand the relationship between theatre and painting from the second half of the 18th century to the early 20th.

:04 13 94 83 30 Iphigenia in Aulis, 1817

The company ran into financial difficulties and the building was sold in 1709 [1] to Dominique de Montgrand great-grandfather of Jean-Baptiste-Jacques-Guy-Thérèse de Montgrand, future Mayor of Marseille. Lovers of historical painting will leave the Musée Cantini satisfied in the knowledge that they have seen one of the most beautiful exhibitions in recent years. Ellen Terry as Lady Macbeth, 1882 Ce prestigieux établissement culturel marseillais est consacré à la période dite moderne du vingtième siècle, laquelle s'étend entre 1900 et les années 1960. 5. Two works by Cabanel are also worthy of notice, as well as a fine copy after Ingres of Paolo and Francesca (another work for which we would have liked an explanation).

In 1888, it was acquired by Jules Cantini who bequeathed it to the City of Marseille in 1916, with the stipulation that it was to become a museum of decorative arts. The very irritating formula of presenting only essays followed by a list of the works exhibited reaches its limits here, to the point of being absurd. Francesco Hayez (1791-1882) The exhibition closes, in the same way it began, with magnificent works, illustrating a message whose complexity is not always clearly stated.

This is probably one of the most difficult shows to review among the many hundreds already covered on this website. ), this is a chance to discover two artists with a powerful plastic style who were very innovative for their time.

The Musée Cantini has one of the largest public collections in France of the 1900-1960 period. 20) could have explained the relation between the Prix de Rome and the theatre in the 19th century.

Tarifs Cet hôtel particulier, édifié en 1694 par la Compagnie du Cap Nègre, fut acheté en 1709 par la famille de Montgrand qui le conserva jusqu'en 1801.

The Musée Cantini is a museum in Marseilles that has been open to the public since 1936. There is one caveat, however, and this is the almost total absence of explanations making the visit a bit confusing for a lay person. The company ran into financial difficulties and the building was sold in 1709 to Dominique de Montgrand great-grandfather of Jean-Baptiste-Jacques-Guy-Thérèse de Montgrand, future Mayor of Marseille.



Mail : musee-cantini@marseille.fr. There are several paintings by Francesco Hayez (ill. 4), one of the highlights of the exhibition and surely a revelation for visitors as this great Italian artist is so poorly represented and seldom seen in our country. RMN-Grand Palais / Benjamin Soligny / Raphaël Chipault, Le Refuge : dans l’attente de nouveaux départs, Musée d'archéologie méditerranéenne - (MAM), Musée d'Arts Africains, Océaniens et Amérindiens - (MAAOA), Château Borély - Musée des Arts décoratifs, de la Faïence et de la Mode, Maison de l'artisanat et des métiers d'arts - (MAMA). [2] The building was then sold to Louis Joseph Chaudoin in 1801 and to Dieudonné Bernadac in 1816. Paul Delaroche (1797-1856) The building was then sold to Louis Joseph Chaudoin in 1801 and to Dieudonné Bernadac in 1816. Another remarkable section of the exhibition, on the first floor, is the one on British painting, with only Shakespearean subjects.

Photo : NGV. Masterpieces of Two Centuries of Italian Art. Spanish Painting and Sculpture 1600-1700, Next article in Exhibitions : From Botticelli to Titian. Oil on canvas - 121 x 151 cm

Paris, Musée du Louvre Oil on canvas - 221 x 114.3 cm We are not criticizing here the essays themselves, often interesting, but this publication resembles the proceedings of a colloquium (which did not take place) rather than an exhibition catalogue. [1] The works from the Musée Cantini are in large part displayed at the Vieille Charité during the exhibition. Although the reason for these choices as relates to the subject is intriguing (why they and why so many works ?

3. Special note goes to the beautiful Poussin-like composition by Charles Jalabert, Oedipus and Antigone, which failed to win the Prix de Rome in 1843 awarded instead to Eugène-Jean Damery [4]. The closing section of the visit devoted to Daumier, Degas, Toulouse-Lautrec and the Nabis, reveals a complete change in perspective. Oil on canvas - 181 x 215 cm

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