He made a series of two-reel comedies, including One Week (1920), The Playhouse (1921), Cops (1922), and The Electric House (1922). More than 60 years after it was subdivided, the Buster Keaton estate in Beverly Hills is now back together, nearly as it once was. Buster has something of Cary Grant about him in this, an off-kilter sexual charge, a snarky urbanity.

Keaton parodied the tired formula of the melodramatic transformation from bad guy to good guy, through which went Hart's character, known as "the good badman". Yallop, David (1976). Add the first question. In 1921, Keaton married Natalie Talmadge, Schenck’s sister-in-law, who co-starred with Keaton in “Our Hospitality.” The 1920s were Keaton’s decade. Friendless accidently is sent off the train, he ends up at an Arizona ranch, where the owner gives him a job as a hand. On le voit même apeuré, la main sur le coeur, lorsque des rochers passent au-dessus de sa tête. ", "The 50 Greatest Directors and Their 100 Best Movies", "AFI Recognizes the 50 Greatest American Screen Legends", Buster Keaton: Cut to the Chase: A Biography, "My Career at the Rear / Buster Keaton in World War I", "Reviews : The General/Steamboat Bill Jr", "Moving Pictures: Buster Keaton's 'General' Pulls In To PFA. Was this review helpful to you? A 1957 film biography, The Buster Keaton Story, starring Donald O'Connor as Keaton was released.

The Chemist (1936) Dir: Al Christie (performer)

The studio system crushed him, indifferently. Allez Oop (1934) Co-directed with Charles Lamont A scene from Steamboat Bill, Jr. required Keaton to stand still on a particular spot. He had cameos in such films as In the Good Old Summertime (1949), Sunset Boulevard (1950), and Around the World in 80 Days (1956). She co-starred with him in Our Hospitality. : The final entry was She's Oil Mine (1941), a two-reel reworking of Keaton's 1932 feature The Passionate Plumber. Lewis was particularly moved by the fact that Eleanor said his eyes looked like Keaton's. Out of this experience came the creation of his artistic persona: you fall hard, you get right back up; the girl doesn’t love you, do what you can and wait until she does.

The couple had sons Joseph, called James[55] (June 2, 1922 – February 14, 2007),[56] and Robert (February 3, 1924 – July 19, 2009),[57] both of whom later took the surname Talmadge. In his presentation for The General, filmmaker Orson Welles hailed Buster Keaton as "the greatest of all the clowns in the history of the cinema... a supreme artist, and I think one of the most beautiful people who was ever photographed". There are a lot of far-out jokes in Seven Chances, the kind of situations that you can’t unravel with words—described point by point, they wouldn’t sound as funny and strange as they are. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow. Sherlock, Jr. (1924) 56min

[43] He played the central role in Samuel Beckett's Film (1965), directed by Alan Schneider. Bereft, Keaton was reportedly institutionalized; legend has it that he escaped the confines of a straitjacket with tricks he had learned from Houdini. Buster thought of himself as a failure for a long time and he took what he could get—grim shorts at Columbia and Educational Pictures and gag man jobs at MGM. View production, box office, & company info. Meilleurs films Comédie en 1925. de

She has been credited with saving his life by stopping his heavy drinking and helping to salvage his career. Deeds, Vous ne l'emporterez pas avec vous, Monsieur Smith au Sénat, Seuls les anges ont des ailes, L'Homme des vallées perdues... Sur la liste d'épouses potentielles que porte sur lui Buster Keaton , on peut remarquer les noms d'Eugenia Gilbert, Judy King, Hazel Deane et Bartine Burkett. Keaton observed that during his silent period, such a hat cost him around two dollars (~$25-30 in 2018 dollars); at the time of his interview, he said, they cost almost $13 (~$105 in 2018 dollars). This past June, the city of Los Angeles celebrated Buster Keaton Day, featuring the installation of a bronze plaque commemorating the location of a movie studio where both Keaton and Chaplin created many of their films. After attempts at reconciliation, Talmadge divorced him in 1932, taking his entire fortune[citation needed] and refusing to allow any contact between him and his sons. He returned to the program in 1965 in the episode "Now You See It, Now You Don't". [19] Despite tangles with the law and a disastrous tour of music halls in the United Kingdom, Keaton was a rising star in the theater. Synopsis : Stanley et Oliver s'ennuient pendant que leurs épouses jouent aux cartes. After the infant sat up and shook off his experience, Pardey remarked, "He's a regular buster! He was also plagued by alcoholism like his father before him. Keaton's writers included Clyde Bruckman, Joseph Mitchell, and Jean Havez, but the most ingenious gags were generally conceived by Keaton himself. In The Paleface (1921), he wanders onto an Indian reservation with a butterfly net. He re-enacted a famous Keaton stunt for the finale of Jackass Number Two. Schenck gave him his own production unit, Buster Keaton Comedies, through which he made a series of two-reel comedies before producing the full-length features that established his reputation as the co-equal of fellow silent stars Charlie Chaplin and Harold Lloyd. Look at his face—as beautiful but as inhuman as a butterfly—and you see that utter failure to identify sentiment. "Stuntmen don't get laughs," Keaton had said. ", In 1954, Buster and Eleanor Keaton met film programmer Raymond Rohauer, with whom they developed a business partnership to re-release his films. In a defining moment here, during a game of cards, a gunslinger commands, “When you say that, smile!” Buster cannot, of course, comply, though he does force the ends of his mouth up with his fingers, a sweet nod to Lillian Gish in Broken Blossoms (Griffith, 1919). For Buster, it seems as if life from an early age was all about physical pain and cultivating the endurance to absorb it. that MGM fired him after the filming was complete, despite the film being a resounding hit.

When Brown Eyes is to be taken with the rest of the herd for the slaughterhouse, Friendless goes with Brown Eyes to prevent her turning into a steak dinner, until a rival ranch holds up the train, and Friendless ends up driving the entire herd through the busy 1920's streets of Los Angeles to market. All readers can browse the comments, and all Forward subscribers can add to the conversation. Buster’s voice did not really suit his silent persona—it was low, hoarse and sometimes cracked, a drinking man’s voice. Myra played the saxophone to one side, while Joe and Buster performed on center stage.

Je ne savais absolument pas ce que j'allais voir, et j'ai vu l'une des comédie les plus réussies qui soit, et l'une des mieux rythmées. He opened his jacket and he was all bruised. [47] Keaton directed the film, along with Edward F. Cline. Casually, he puts on what was to become his trademark porkpie hat and it sticks—literally—with molasses. Subscribe to Senses of Cinema to receive news of our latest cinema journal.Enter your email address below: b. Joseph Frank Keaton Like Joe Keaton, Schenck was an exploiter of the Great Stone Face, but he did give him the freedom he needed. Keaton was presented with a 1959 Academy Honorary Award at the 32nd Academy Awards, held in April 1960. Buster Keaton Remembered. Joel Crawford, Contact | À lire, le remarquable Buster Keaton, ... et qui présentaient les épouses des participants au G8, vêtues presque du même tailleur, portant plus ou moins le même sac à main, toutes posant avec un sourire vide, l'air de se demander : "Mais qu'est-ce que je fous là ? Upon Keaton's return to Hollywood in 1934, he made a screen comeback in two-reel comedies for Educational Pictures. He took the camera back to his hotel room where he dismantled and reassembled it by morning. The gags play with expectations and build suspense; in one perfect moment, though knocked out and stuffed upside down in a car, Buster still manages to cross his legs jauntily. He stopped drinking for five years. This scene demonstrates his sophisticated awareness of the nature of the film medium, which would climax in Sherlock, Jr (1924). Whenever a TV show wanted to simulate silent-movie comedy, Buster Keaton answered the call and guested in such successful series as The Ken Murray Show, You Asked for It, and The Garry Moore Show, and The Ed Sullivan Show. Cruella, Hitman & Bodyguard 2, Mon grand-père et moi, Suivre son activité The Scarecrow (1920) Co-directed with Eddie Cline For once, the girl is just as funny as he is—he and MacGuire make a fine team. Director William Asher recalled: I always loved Buster Keaton.… He would bring me bits and routines.

During his time in uniform, he suffered an ear infection that permanently impaired his hearing. 83 abonnés Humoriste célèbre pour son flegme, artiste ayant marqué le cinéma muet américain, il fut entre autres surnommé « l'homme qui ne rit jamais » par contraste avec Charlie Chaplin. b. October 4 1895, Piqua, Kansas USA On a donc une histoire fortement improbable où un jeune homme, amoureux de longue date d'une belle jeune fille, doit se marier avant 7h du soir, le jour même, sous peine de voir son héritage lui passer sous le nez.

But we had no luck with Keaton, because he thought up his best gags himself and we couldn't steal him! When he is white, the cop moves away. Comedy director Leo McCarey, recalling the freewheeling days of making slapstick comedies, said, "All of us tried to steal each other's gagmen. ), Buster Keaton’s Sherlock Jr, Cambridge University Press, 1997, Kael, Pauline, 5001 Nights at the Movies, Henry Holt & Company, 1982, Keaton, Buster and Samuels, Charles, My Wonderful World of Slapstick, 1960, Republished by Da Capo Press, 1988, Keaton, Eleanor & Vance, Jeffrey, Buster Keaton Remembered, Harry N. Abrams, 2001, Kerr, Walter, The Silent Clowns, Random House, 1975, Kline, Jim, The Complete Films of Buster Keaton, Citadel Press, 1994, Knopf, Robert, The Theater and Cinema of Buster Keaton, Princeton University Press, 1999, Meade, Marion, Buster Keaton: Cut to the Chase, Harper Collins Publishers, 1995, Miller, Blair, American Silent Film Comedies: An Illustrated Encyclopedia of Persons, Studios and Terminology, McFarland & Company, 1995, Mitchell, Glenn, A-Z of Silent Comedy: An Illustrated Companion, Brasseys, Inc., 1999, Moews, Daniel, Keaton: The Features Close-Up, University of California Press, 1977, Oldman, Gabriella, Keaton’s Silent Shorts: Beyond the Laughter, Southern Illinois University Press, 1999, Rapf, Joanna and Green, Gary L., Buster Keaton: A Bio-Bibliography, Greenwood Publishing Group, 1995, The Narrative-Machine: Buster Keaton’s Cinematic Comedy, Deleuze’s Recursion Function and the Operational Aesthetic by Lisa Trahair.

"[25] The more adventurous ideas called for dangerous stunts, performed by Keaton at great physical risk. [21][22], In February 1917, Keaton met Roscoe "Fatty" Arbuckle at the Talmadge Studios in New York City, where Arbuckle was under contract to Joseph M. Schenck. [65] Despite being diagnosed with cancer in January 1966, he was never told he was terminally ill. Keaton thought that he was recovering from a severe case of bronchitis. The Paleface (1921) [3][4] Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" on a series of films that make him "the greatest actor-director in the history of the movies". The Day the Laughter Stopped.

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